MARTIN ESPADA

 

 

Manuel Is Quiet Sometimes

  

He was quiet again,

driving east on I 13,

near the slaughterhouse

on the day after Christmas,

not mourning,

but almost bowed,

like it is after the funeral

of a distant relative,

thoughtful,

sorrow on the border at dusk.

 

Vietnam was a secret.

Some men there collected ears,

some gold teeth.

Manuel collected the moist silences

between bursts of mortar.

He would not tell

what creatures laughed in his sleep,

or what blood was still drying

from bright to dark

in moments of boredom

and waiting.

A few people knew

about the wound,

a jabbing in his leg

 (though he refused

to limp);

I knew about the time

he went AWOL.

 

Driving east on I I 3

he talked

about how he keeps the car running

in winter. It's

a  good car,

he said.

 

There was the brief illumination

of passing headlights,

and slaughterhouse smoke

halted in the sky.

 

Another night,

the night of the Chicano dance,

Manuel's head swung slow and lazy

with drinking.

He smiled repeatedly,

a polite amnesiac,

and drank other people's beer,

waiting for the dancers

to leave their tables

so he could steal the residue

in plastic cups.

It was almost 2 AM

when he toppled,

aimless as something beheaded,

collapsing so he huddled

a prisoner on the floor.

 

The shell ofhis body

swung elbows

when we pulled him up.

He saw me first,

seeing a stranger.

His eyes were the color

of etherized dreams,

eyes that could

castrate the enemy,

easy murder watching me

with no reflection.

 

This is what he said:

"I never lied

to you, man."

 

108 ) Aftermath